
Rector
The Rev. Anne Featherstone
Anne came to St. Columba's in 2015 from a parish in Albany. She preaches most Sundays, keeps her sermons to twelve minutes, and sings tenor in the Pearl Street Singers when nobody is looking.

The parish
Built by quarrymen and singing ever since. Here is who we were, who looks after things now, and what we promise each other.
Our history
The roof has been replaced three times. The music list has been printed every week since 1923.
1868
Quarrymen and their families build the church from gray lake-island limestone and form the first choir.
1891
Thirty-one ranks, shipped from Boston by rail and still played every Sunday.
1923
Twelve boys, a stipend of a dime a week, and the first printed music list.
1974
Among the first parish choirs in New England to admit girls as choristers.
1992
The undercroft becomes a winter shelter for twelve guests a night, December to March.
2023
Two years of work, paid for entirely by gifts from people who love the sound.
Clergy and musicians
Everyone below answers their own email. Write to whoever fits.

Rector
Anne came to St. Columba's in 2015 from a parish in Albany. She preaches most Sundays, keeps her sermons to twelve minutes, and sings tenor in the Pearl Street Singers when nobody is looking.





The Baptismal Covenant
Episcopalians don't sign a confession. At every baptism the whole congregation renews these five promises instead, answering each one: I will, with God's help.
Will you continue in the apostles' teaching and fellowship, in the breaking of bread, and in the prayers?
Book of Common Prayer, p. 304 · Acts 2:42
Will you persevere in resisting evil, and, whenever you fall into sin, repent and return to the Lord?
BCP p. 304
Will you proclaim by word and example the Good News of God in Christ?
BCP p. 305
Will you seek and serve Christ in all persons, loving your neighbor as yourself?
BCP p. 305 · Matthew 25:40
Will you strive for justice and peace among all people, and respect the dignity of every human being?
BCP p. 305 · Micah 6:8
The rest of the week
Music is what people hear about. Most of the parish's volunteer hours go somewhere else, alongside neighbors who were doing this work long before we were.
Twelve guests a night, a hot supper and two volunteers who stay till morning.
Soup and bread for anyone, cooked by the Altar Guild in the parish hall kitchen.
Parishioners help newly arrived families with leases, school forms and the first winter.
A week of singing and swimming for choristers, free to every family.
Design notes
A site for a mid-sized Episcopal parish whose music is the thing strangers have heard about. It treats Evensong as the front door, publishes the music list the way the choir actually uses it, and explains Anglican worship plainly to people who have never been inside.
Bodoni Moda sets every heading. It descends from the types Giambattista Bodoni cut in Parma, and it is the letter of engraved anthem title pages, so it carries the choral tradition without a single clip-art clef. Libre Franklin does the practical work underneath, and Spectral SC gives the labels true small capitals, the way rubrics are set in the printed leaflet.
The blue is Sarum blue, the Advent color of the medieval Salisbury rite that many Anglican parishes still use in December. The claret comes from the choristers' cassocks. The gray-blue paper color is Lake Champlain in November, three blocks downhill. In dark mode the blue lifts to a pale periwinkle and the claret to a rose, so both read as candlelight rather than neon.
The split-panel navigation keeps the parish name, the pages and the service times fixed on the left while the content scrolls on the right, like a printed order of service you hold open in one hand. On a phone it folds into a single menu with the Evensong button always visible.
The home page opens on a typographic poster for the Evensong season because that is what newcomers search for and what the parish does best. The lines stack like a concert bill, with the time and season printed up the side so nobody has to scroll to learn when to come.
Every button names the service or the task: Hear Evensong at five, Come on Sunday at ten, Book a chorister's audition, Give to the music. Anglican worship has a lot of unfamiliar words, so the buttons never add more of them.
Stone, candlelight, music on the stand and children at the piano, with people photographed while they rehearse or sing rather than posing. We dropped every wide cathedral nave we were offered: Evensong at St. Columba's draws sixty to a hundred people, and the pictures should never promise a cathedral. The history timeline carries no photographs at all, because we had none that were honest about 1868 or 1923.
Body text is 17px with generous leading, every color pair passes WCAG AA in both themes, and the bracket buttons are real text links with a visible focus outline. The Sundays page says plainly where the level entrance, hearing loop and large-print leaflets are, before anyone has to ask.
Every text pairing is checked against WCAG 2.2 in both themes.
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 15.14:1 | AAA |
| Body text on cards | Aa | 16.73:1 | AAA |
| Secondary text | Aa | 5.66:1 | AA |
| Links | Aa | 9.94:1 | AAA |
| Button text | Aa | 11.38:1 | AAA |
| Accent label text | Aa | 7.69:1 | AAA |
| Text on dark bands | Aa | 15.14:1 | AAA |
| Muted text on dark bands | Aa | 7.96:1 | AAA |
| Text on brand bands | Aa | 11.38:1 | AAA |
| Muted text on brand bands | Aa | 7.15:1 | AAA |
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 15.5:1 | AAA |
| Body text on cards | Aa | 14.09:1 | AAA |
| Secondary text | Aa | 6.81:1 | AA |
| Links | Aa | 9.4:1 | AAA |
| Button text | Aa | 9.52:1 | AAA |
| Accent label text | Aa | 7.66:1 | AAA |
| Text on dark bands | Aa | 16.32:1 | AAA |
| Muted text on dark bands | Aa | 8.17:1 | AAA |
| Text on brand bands | Aa | 9.52:1 | AAA |
| Muted text on brand bands | Aa | 5.71:1 | AA |
Designed by Greater Purpose Web. Names, people and events are sample content.