Oct11
Choral Evensong: Stanford in C
5:00 PM · Nave
Responses by Smith, Psalm 104, and Bairstow's Let all mortal flesh keep silence for the anthem.
Sundays at 5 PM · 4 October to 23 May
Choral Evensong · Season fifty-eight
Forty-five minutes of evening prayer that the choir sings for you, by candlelight, in the gray stone church on Pearl Street. You don't need to know when to stand. Nobody is checking.

The parish
St. Columba's has stood at the corner of Pearl and North Willard since 1868, built of gray Isle La Motte limestone by quarrymen who sang in its first choir. We are about 240 households now: university staff, retired dairy farmers, new Vermonters from Bhutan and the Congo, and a fair number of students who came for the music and stayed for the soup.
We are Episcopalians. That means the Book of Common Prayer, bishops, women and men at the altar, and an honest welcome for anyone who walks in. Most of what we say on Sunday has been said in English for four hundred years. Most of what we do the rest of the week is about Burlington now.
The music list
Oct11
5:00 PM · Nave
Responses by Smith, Psalm 104, and Bairstow's Let all mortal flesh keep silence for the anthem.
Oct18
10:00 AM · Nave
Harold Darke's communion setting, with Hymn 390, Praise to the Lord, at the offertory.
Oct22
9:00 PM · Lady Chapel
Twenty minutes of plainsong in the dark. Come in quietly; the door on Willard Street is left on the latch.
Nov1
5:00 PM · Nave
The names of everyone the parish has buried this year are read aloud between the movements. Send a name to the office by 28 October.
Nov15
5:00 PM · Nave
The trebles sing the whole service on their own, for the first time this season.
Nov29
5:00 PM · Nave, beginning in darkness
Readings and carols for Advent. The church starts dark and is lit candle by candle from the west door.
Dec13
3:00 PM · Nave
Bring your own score or borrow one of ours. Soloists from the Parish Choir; everyone else sings the choruses.
Dec24
4:00 PM & 11:00 PM · Nave
Nine readings and carols at four, with the choristers. The Midnight Mass begins with carols at 10:40.
Nothing in that category this month.

Monday, 3:45 PM
Theory first, then the anthem. Mr. Abernethy keeps the oatcakes in the organ loft.
The Choristers
The Choristers of St. Columba's are twenty girls and boys aged eight to fourteen from eleven Burlington schools. They rehearse Monday to Thursday after school, read music fluently within a year, and sing Evensong on Sundays beside the adults.
There is no fee, and nobody has to belong to the parish. Many choristers' families don't come to anything else here, and that is fine. Each chorister is paid a stipend every term, because it is real work and they do it well.

Hymn 382
Seven whole days, not one in seven, I will praise thee.
In the pews

Eleven hundred Magnificats, give or take, and 'he hath put down the mighty' still catches me.

We came for the free lessons. We stayed because the choir parents fed us for a week when the baby came.

Most weeks I'm not sure what I believe. At Evensong someone sings the prayers for me.
Sit anywhere and leave whenever you like. If the choir notices, they will only be pleased you came.
Design notes
A site for a mid-sized Episcopal parish whose music is the thing strangers have heard about. It treats Evensong as the front door, publishes the music list the way the choir actually uses it, and explains Anglican worship plainly to people who have never been inside.
Bodoni Moda sets every heading. It descends from the types Giambattista Bodoni cut in Parma, and it is the letter of engraved anthem title pages, so it carries the choral tradition without a single clip-art clef. Libre Franklin does the practical work underneath, and Spectral SC gives the labels true small capitals, the way rubrics are set in the printed leaflet.
The blue is Sarum blue, the Advent color of the medieval Salisbury rite that many Anglican parishes still use in December. The claret comes from the choristers' cassocks. The gray-blue paper color is Lake Champlain in November, three blocks downhill. In dark mode the blue lifts to a pale periwinkle and the claret to a rose, so both read as candlelight rather than neon.
The split-panel navigation keeps the parish name, the pages and the service times fixed on the left while the content scrolls on the right, like a printed order of service you hold open in one hand. On a phone it folds into a single menu with the Evensong button always visible.
The home page opens on a typographic poster for the Evensong season because that is what newcomers search for and what the parish does best. The lines stack like a concert bill, with the time and season printed up the side so nobody has to scroll to learn when to come.
Every button names the service or the task: Hear Evensong at five, Come on Sunday at ten, Book a chorister's audition, Give to the music. Anglican worship has a lot of unfamiliar words, so the buttons never add more of them.
Stone, candlelight, music on the stand and children at the piano, with people photographed while they rehearse or sing rather than posing. We dropped every wide cathedral nave we were offered: Evensong at St. Columba's draws sixty to a hundred people, and the pictures should never promise a cathedral. The history timeline carries no photographs at all, because we had none that were honest about 1868 or 1923.
Body text is 17px with generous leading, every color pair passes WCAG AA in both themes, and the bracket buttons are real text links with a visible focus outline. The Sundays page says plainly where the level entrance, hearing loop and large-print leaflets are, before anyone has to ask.
Every text pairing is checked against WCAG 2.2 in both themes.
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 15.14:1 | AAA |
| Body text on cards | Aa | 16.73:1 | AAA |
| Secondary text | Aa | 5.66:1 | AA |
| Links | Aa | 9.94:1 | AAA |
| Button text | Aa | 11.38:1 | AAA |
| Accent label text | Aa | 7.69:1 | AAA |
| Text on dark bands | Aa | 15.14:1 | AAA |
| Muted text on dark bands | Aa | 7.96:1 | AAA |
| Text on brand bands | Aa | 11.38:1 | AAA |
| Muted text on brand bands | Aa | 7.15:1 | AAA |
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 15.5:1 | AAA |
| Body text on cards | Aa | 14.09:1 | AAA |
| Secondary text | Aa | 6.81:1 | AA |
| Links | Aa | 9.4:1 | AAA |
| Button text | Aa | 9.52:1 | AAA |
| Accent label text | Aa | 7.66:1 | AAA |
| Text on dark bands | Aa | 16.32:1 | AAA |
| Muted text on dark bands | Aa | 8.17:1 | AAA |
| Text on brand bands | Aa | 9.52:1 | AAA |
| Muted text on brand bands | Aa | 5.71:1 | AA |
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