
Ages 8 to 14 · Mon–Thu, 3:45 PM
The Choristers
Twenty trebles from eleven schools. Free daily training in sight-reading, voice and Latin pronunciation, with a stipend every term.
Sing with us
Nobody pays and nobody has to be a parishioner. You need to be able to hold a part, or want to learn, and to come to rehearsal.

The choirs
Every choir rehearses in the choir room under the west gallery. Come and listen to a rehearsal first if you'd like.

Ages 8 to 14 · Mon–Thu, 3:45 PM
Twenty trebles from eleven schools. Free daily training in sight-reading, voice and Latin pronunciation, with a stipend every term.

Adults · Thursdays 7:30 PM and Sundays
Twenty-two adult voices who sing the 10 o'clock Eucharist and Evensong. Read music reasonably well and we will help with the rest.

Eight voices · Thursdays 8:15 PM
Plainsong only, sung from memory in the dark Lady Chapel at nine. Rehearsal is the forty minutes before.

Anyone · Saturdays 10 AM, Sept–May
A community choir with no audition at all. Shape-note, folk hymns and spirituals, and two concerts a year for the warming shelter.
Choristers' auditions
Most children are singing in the stalls within six weeks of their first visit.
Step 1 of 4
Use the form below or call Jonah on (555) 014-6124. Auditions run on the first Saturday of every month in the choir room.

Step 2 of 4
Happy Birthday is fine. We listen for a true note and a child who wants to be there, not a trained voice.

Step 3 of 4
Monday to Thursday with a chorister buddy. Parents are welcome to sit in at the back.

Step 4 of 4
After about six weeks the new chorister is admitted during Evensong and given a cassock and medal.

For parents
No. About half our choristers' families belong to another church or to none. We teach the words of the services the way a good teacher would: honestly and without pressure.
Nothing. The music endowment pays for the training, cassocks and snacks, and each chorister earns a stipend of $150 a term.
The choirs stop after Pentecost and start again the week after Labor Day. There is an optional week of choir camp at Lake Dunmore in July, paid for by the parish.
Voices that drop move into the Parish Choir as tenors and basses when they are ready. Several of our current basses started as trebles here.
Every adult who works with the choir completes the Episcopal Church's Safeguarding God's Children training, and no adult is ever alone with a child.
Get in touch
Jonah Abernethy answers for the Choristers and Peter Lachance for everything else. You'll hear back within two working days.
A real person will reply within a day.
Design notes
A site for a mid-sized Episcopal parish whose music is the thing strangers have heard about. It treats Evensong as the front door, publishes the music list the way the choir actually uses it, and explains Anglican worship plainly to people who have never been inside.
Bodoni Moda sets every heading. It descends from the types Giambattista Bodoni cut in Parma, and it is the letter of engraved anthem title pages, so it carries the choral tradition without a single clip-art clef. Libre Franklin does the practical work underneath, and Spectral SC gives the labels true small capitals, the way rubrics are set in the printed leaflet.
The blue is Sarum blue, the Advent color of the medieval Salisbury rite that many Anglican parishes still use in December. The claret comes from the choristers' cassocks. The gray-blue paper color is Lake Champlain in November, three blocks downhill. In dark mode the blue lifts to a pale periwinkle and the claret to a rose, so both read as candlelight rather than neon.
The split-panel navigation keeps the parish name, the pages and the service times fixed on the left while the content scrolls on the right, like a printed order of service you hold open in one hand. On a phone it folds into a single menu with the Evensong button always visible.
The home page opens on a typographic poster for the Evensong season because that is what newcomers search for and what the parish does best. The lines stack like a concert bill, with the time and season printed up the side so nobody has to scroll to learn when to come.
Every button names the service or the task: Hear Evensong at five, Come on Sunday at ten, Book a chorister's audition, Give to the music. Anglican worship has a lot of unfamiliar words, so the buttons never add more of them.
Stone, candlelight, music on the stand and children at the piano, with people photographed while they rehearse or sing rather than posing. We dropped every wide cathedral nave we were offered: Evensong at St. Columba's draws sixty to a hundred people, and the pictures should never promise a cathedral. The history timeline carries no photographs at all, because we had none that were honest about 1868 or 1923.
Body text is 17px with generous leading, every color pair passes WCAG AA in both themes, and the bracket buttons are real text links with a visible focus outline. The Sundays page says plainly where the level entrance, hearing loop and large-print leaflets are, before anyone has to ask.
Every text pairing is checked against WCAG 2.2 in both themes.
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 15.14:1 | AAA |
| Body text on cards | Aa | 16.73:1 | AAA |
| Secondary text | Aa | 5.66:1 | AA |
| Links | Aa | 9.94:1 | AAA |
| Button text | Aa | 11.38:1 | AAA |
| Accent label text | Aa | 7.69:1 | AAA |
| Text on dark bands | Aa | 15.14:1 | AAA |
| Muted text on dark bands | Aa | 7.96:1 | AAA |
| Text on brand bands | Aa | 11.38:1 | AAA |
| Muted text on brand bands | Aa | 7.15:1 | AAA |
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 15.5:1 | AAA |
| Body text on cards | Aa | 14.09:1 | AAA |
| Secondary text | Aa | 6.81:1 | AA |
| Links | Aa | 9.4:1 | AAA |
| Button text | Aa | 9.52:1 | AAA |
| Accent label text | Aa | 7.66:1 | AAA |
| Text on dark bands | Aa | 16.32:1 | AAA |
| Muted text on dark bands | Aa | 8.17:1 | AAA |
| Text on brand bands | Aa | 9.52:1 | AAA |
| Muted text on brand bands | Aa | 5.71:1 | AA |
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