
90 minutes · up to 200
Youth night set
A twenty-minute performance from the crew, a live beat built in front of the room, and a ten-minute word from Rashad. Ends with an open cypher.
Workshops on the road
And the laptops, the headphones and two mentors. Youth nights, school assemblies, writing workshops and long-term programs in juvenile facilities, anywhere inside I-285 and a good way outside it.

Rather talk it through? (555) 017-3384
What we bring

90 minutes · up to 200
A twenty-minute performance from the crew, a live beat built in front of the room, and a ten-minute word from Rashad. Ends with an open cypher.

45 minutes · whole grades
Writing as a way to say hard things. Built around the school's own literacy standards and cleared with the principal in advance. No scripture unless you ask.

2 hours · up to 20
Kiana's Writing Room on the road: one passage, one prompt, everyone reads something out by the end.

Weekly · 10 to 12 weeks
Beat-making and writing inside juvenile facilities, with the chaplaincy. Each program ends in a recorded track the young people keep.

Week 9
Cover art goes on the CD case. Everybody designs their own.
On the inside
Since 2019 we've run a ten-week beat and writing program with the chaplain at a youth detention center south of the city. We bring four laptops, four pairs of headphones and a portable booth made from moving blankets.
Each group finishes a track. They can't take a phone back to their unit, so we burn it to a CD and mail one to whoever they name.
Who's had us
A few of the churches, schools and organizations that book us every year.
Hosts our spring youth night, two hundred teens from eleven churches.
Lends us the community room for summer writing workshops.
Our partner for every program inside a facility.
Bought the Lab's second vocal booth in 2022.
Booking
Schools and facilities pay nothing. Churches give what they can; most give between $150 and $400 for a youth night, which pays for the van and the mentors' supper.
Anywhere in metro Atlanta, and up to two hours away for a weekend. Further than that, call us.
Two standard outlets near the stage, a table, and an adult from your side in the room the whole time.
Six weeks is comfortable. Spring youth-night season fills up by January.
Design notes
Verse & Rhythm is built like a sleeve for a mixtape: loud type, a running reel of photos, and the facts a teenager or a parent needs set in a timestamp face. It had to feel like it was made by people who make things, because that is the whole pitch to a fourteen-year-old.
Rubik Mono One is wide, monospaced and unapologetic, closer to a road-case stencil or a sampler's LCD than to anything you would see on a church sign. Because every letter takes the same width, headlines fall into a beat of their own. Space Grotesk does the reading, and DM Mono carries times and track lengths the way a DAW timeline does.
The violet comes from the Lab's back wall, painted by the teens the summer they moved into the tire shop in 2022, and the orange is a ripe Georgia peach. The neutral is a cool concrete with a faint violet cast so the photos, which are full of neon and street light, sit on something that belongs to them. The dark theme is a studio at midnight with the violet lifted to lavender, rather than an inverted light page.
The corner controls leave the first screen entirely to the photos: the name sits top left, the menu opposite, and the Join the Lab button holds a third corner on every page. Teens arrive from an Instagram bio link on a phone, so there is no header bar to scroll past before they see people their own age.
Two strips of photographs run in opposite directions with the promise between them, so the first thing anyone sees is a real week: beat lab, crew practice, the ten minutes of scripture that opens every session. Each frame carries its day and time, which answers the parent's first question before they ask it. The reel pauses on hover and stands still for anyone who prefers reduced motion.
Join the Lab is the single action that matters, so it owns the corner. The other buttons say exactly what happens next: Get on the First Friday list, Book a workshop, Fund a studio seat. Giving appears once, on the Crew page, priced in suppers and laptops so a donor can see what $45 actually buys.
Teens dancing, painting, writing and standing at the mic, mostly in street light and studio light rather than stage spectacle. Portraits of mentors are plain and close, because a parent deciding about a Tuesday afternoon wants to see the face of the adult in the room.
Rubik Mono One is only ever used for headings and big numbers; everything you read in paragraphs is Space Grotesk at 17 pixels with generous line spacing. Both moving strips can be paused and are still for reduced-motion users. Every text pairing passes WCAG AA in both themes, and the schedule table marks today's column in text as well as color.
Every text pairing is checked against WCAG 2.2 in both themes.
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 15.14:1 | AAA |
| Body text on cards | Aa | 17.19:1 | AAA |
| Secondary text | Aa | 5.76:1 | AA |
| Links | Aa | 7.94:1 | AAA |
| Button text | Aa | 9.38:1 | AAA |
| Accent label text | Aa | 6.79:1 | AA |
| Text on dark bands | Aa | 15.14:1 | AAA |
| Muted text on dark bands | Aa | 7.89:1 | AAA |
| Text on brand bands | Aa | 9.38:1 | AAA |
| Muted text on brand bands | Aa | 5.97:1 | AA |
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 16.58:1 | AAA |
| Body text on cards | Aa | 15.16:1 | AAA |
| Secondary text | Aa | 7.2:1 | AAA |
| Links | Aa | 8.17:1 | AAA |
| Button text | Aa | 8.14:1 | AAA |
| Accent label text | Aa | 9.02:1 | AAA |
| Text on dark bands | Aa | 17.32:1 | AAA |
| Muted text on dark bands | Aa | 8.56:1 | AAA |
| Text on brand bands | Aa | 8.14:1 | AAA |
| Muted text on brand bands | Aa | 5.1:1 | AA |
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