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Verse & Rhythm
Join the Lab
Verse & Rhythm
HomeThe LabFirst FridaysListenBook usCrew

1047 Ralph David Abernathy Blvd SW, Atlanta, GA 30310

(555) 017-3380

lab@example.org

Join the Lab
  • Teen at a keyboard with a teacher guiding
    Beat Lab: chords before drumsMon 4:15 PM
  • Group of young dancers in a neon graffiti-covered space
    Selah Crew warm-upTue 5:00 PM
  • Two young women studying together with a tablet at an outdoor campus table
    The Word, ten minutesEvery session, 4:00
  • Microphone setup for podcasting in warm light
    Booth B, first takeWed 6:10 PM
  • Teens painting at easels in a studio
    Cover art for Volume 4Wed 4:30 PM

West End, Atlanta · ages 13 to 19 · free

Bring the notebook.

We've got the mics. A free hip-hop arts studio in an old tire shop on Abernathy Boulevard: make beats, write, dance and record with mentors who rap, pray and show up on time, four afternoons a week.

Join the Lab See the week
  • Group of dancers jumping on a city street
    Crew on Lee StreetSat 11:40 AM
  • Three dancers performing in a vintage room with natural light
    Choreo for First FridayThu 5:20 PM
  • Booth A, before the takeThu 6:00 PM
  • Street dancer balancing on one arm on a sunny day
    Freeze practiceSat 12:15 PM
  • Teens singing along at a youth worship night
    First Friday closerFri 9:30 PM

What happens here

We teach the craft, and we open the Book every session

Verse & Rhythm started in 2014 with one laptop, a borrowed keyboard and six kids from the courts on Lee Street who wanted to make a beat. Rashad Mabry was their youth pastor. He was also the only adult on the block who knew how to chop a sample.

Twelve years on, the Lab fills an old tire shop on Abernathy. Teens come four afternoons a week to make beats, write, dance and record. Every session starts the same way: ten minutes with a passage of scripture, read out loud and then written about. Some of what gets written ends up on a track. Some of it stays in the notebook, and that's fine too.

Everything is free. Laptops are on loan, headphones are clean, and supper is at 6:30.

Meet the crew

No audition, no experience needed. If you can count to four, you can start in Beat Lab.

Four rooms

Pick a room. Switch whenever you like.

Most teens start in one room and end up in two. Mentors move between them, and so can you.

The whole week, hour by hour
Teen playing piano as his teacher reads sheet music

Mon & Wed · 4:15–6:30 PM

Beat Lab

Twelve laptops with Ableton, two MPCs and a keyboard that has survived nine years of teenagers. You leave your first session with an eight-bar loop you made yourself.

Start with eight bars
Young people taking notes in their Bibles at a meeting

Tue & Thu · 4:15–6:00 PM

Writing Room

Bars, poems, hooks and spoken word around one long table. Kiana runs it like a workshop: write, read it out, take one note, write again.

Bring a notebook
Woman leaping in freestyle dance against an urban backdrop

Tue & Thu 5–7 PM · Sat 11 AM

Selah Crew

Breaking, popping and choreography for the First Friday stage. Knee pads on the shelf by the door.

Come to warm-up
Woman working on a podcast at her home studio

Wed & Thu · 6:00–8:00 PM

Tracking Room

Two vocal booths and an engineer who will tell you the truth about your second verse. Book a slot once you have a finished track.

Book the booth

Since 2014

Twelve years of afternoons

Counted from the sign-in binder and the hard drive, not guessed.

September 2014 to September 2026

3121

finished tracks on the Lab hard drive

47

teens signed in this fall

1182

First Friday open mics

$0

dollars charged to a single teen

  1. 1Mixed, mastered and with cover art. Unfinished ideas would be about four thousand.
  2. 2We missed three: two ice storms and one burst pipe.

Figures checked by the board in September 2026.

From the Lab

Said out loud, then written down

Zion R.
I came for the beats. Then I read a verse about my grandmother to eighty people.
Zion R.Beat Lab, age 16
Monique T.
He comes home at seven now and plays me what he made.
Monique T.Parent, West End
Kenya W.
Kiana made me cut my favorite line. She was right. I hate that.
Kenya W.Writing Room, age 15

Dates

On the calendar

Oct17

Selah Crew open practice

11:00 AM · Main floor

Parents and little siblings welcome to watch. We'll run the November set twice.

Add to calendar

Nov6

First Friday: Lament

7:00 PM · The Lab

The theme is Lamentations 3. Twelve slots, three minutes each. List opens at 6:15.

Add to calendar

Nov14

Instrumental beat battle

2:00 PM · Beat Lab

Same sample pack for everyone, ninety minutes on the clock, judged by the room.

Add to calendar

Dec4

First Friday: Holiday cypher

7:00 PM · The Lab

Bring a cousin home for the holidays. Hot chocolate from the supper crew.

Add to calendar

Dec12

West End Psalms Vol. 4 listening party

6:00 PM · Tracking Room

Fourteen tracks, all written in the Lab this fall. Every artist gets a printed copy of the cover.

Add to calendar

Nothing in that category this month.

Got three minutes of something true?

Put your name on the First Friday list. Twelve slots on the first Friday of every month, clean lyrics, any style, anyone 13 and up.

Verse & Rhythm

A free hip-hop arts studio for teens 13 to 19, in the old tire shop on Abernathy. Craft first, and the Word in every session.

Pages

  • Home
  • The Lab
  • First Fridays
  • Listen
  • Book us
  • Crew

The Lab

  • 1047 Ralph David Abernathy Blvd SW, Atlanta, GA 30310
  • (555) 017-3380
  • lab@example.org
  • Mon–Thu, 4:00–7:00 PM
  • Selah Crew, Sat 11 AM–1 PM
  • First Friday, 7:00 PM
© 2026 Verse & RhythmWebsite by Greater Purpose Web

Design notes

Why Verse & Rhythm looks the way it does

Verse & Rhythm is built like a sleeve for a mixtape: loud type, a running reel of photos, and the facts a teenager or a parent needs set in a timestamp face. It had to feel like it was made by people who make things, because that is the whole pitch to a fourteen-year-old.

Built for
Atlanta teens aged 13 to 19 who rap, dance, write or make beats; the parents and grandparents who need to trust the building; and churches and schools who book the crew for workshops.
Navigation
Corner controls. Name in one corner, menu in the opposite corner, primary action in a third. The page itself has no header bar.
Pages
Home, The Lab, First Fridays, Listen, Book us, Crew
Hero
a two-tone split: one half is a solid block of the brand colour carrying a giant date, time or short word (such as SUN 10:30), and the other half holds the headline, a short lead, the main action and a photo. Variants: a = block on the left at full height with the giant type stacked, content and photo on the right; b = the block runs across the top with the giant type on one line, and headline, lead and photo sit in columns beneath; c = a narrow block on the left, the text in the middle and a photo bleeding off the right edge; a short action form as the hero: the one thing most visitors came to do (request a ride, ask for help, register a child) can be done before they scroll, with reassurance beside it. Variants: a = headline, reassurance and a photo on the left with the form as a raised card on the right; b = a tall photo carrying the headline, with the form and reassurance on a plain panel beside it; c = headline beside a photo, then the form laid out as one horizontal booking bar; a headline over a slow, continuous strip of captioned photographs that visitors can also drag or scroll; it pauses on hover and focus, has a pause button, and stays still for people who prefer reduced motion. Variants: a = headline and lead side by side above a strip of mixed portrait and landscape photos; b = a giant headline beneath a strip whose photos step up and down; c = two strips moving in opposite directions with the headline between them

Typography

Rubik Mono One is wide, monospaced and unapologetic, closer to a road-case stencil or a sampler's LCD than to anything you would see on a church sign. Because every letter takes the same width, headlines fall into a beat of their own. Space Grotesk does the reading, and DM Mono carries times and track lengths the way a DAW timeline does.

Color

The violet comes from the Lab's back wall, painted by the teens the summer they moved into the tire shop in 2022, and the orange is a ripe Georgia peach. The neutral is a cool concrete with a faint violet cast so the photos, which are full of neon and street light, sit on something that belongs to them. The dark theme is a studio at midnight with the violet lifted to lavender, rather than an inverted light page.

Layout and navigation

The corner controls leave the first screen entirely to the photos: the name sits top left, the menu opposite, and the Join the Lab button holds a third corner on every page. Teens arrive from an Instagram bio link on a phone, so there is no header bar to scroll past before they see people their own age.

The hero

Two strips of photographs run in opposite directions with the promise between them, so the first thing anyone sees is a real week: beat lab, crew practice, the ten minutes of scripture that opens every session. Each frame carries its day and time, which answers the parent's first question before they ask it. The reel pauses on hover and stands still for anyone who prefers reduced motion.

Calls to action

Join the Lab is the single action that matters, so it owns the corner. The other buttons say exactly what happens next: Get on the First Friday list, Book a workshop, Fund a studio seat. Giving appears once, on the Crew page, priced in suppers and laptops so a donor can see what $45 actually buys.

Photography

Teens dancing, painting, writing and standing at the mic, mostly in street light and studio light rather than stage spectacle. Portraits of mentors are plain and close, because a parent deciding about a Tuesday afternoon wants to see the face of the adult in the room.

Accessibility

Rubik Mono One is only ever used for headings and big numbers; everything you read in paragraphs is Space Grotesk at 17 pixels with generous line spacing. Both moving strips can be paused and are still for reduced-motion users. Every text pairing passes WCAG AA in both themes, and the schedule table marks today's column in text as well as color.

Type system

  • DisplayRubik Mono OneA monospaced, ultra-wide geometric that reads like stencilled lettering on a road case; every letter takes the same space, like beats in a bar.
  • TextSpace GroteskA grotesque with quirky, slightly mechanical details that keeps up with Rubik Mono One without shouting back at it.
  • AccentDM MonoSession times, track lengths and room names, set like the timestamps on a DAW timeline.

Colour and contrast

Every text pairing is checked against WCAG 2.2 in both themes.

Light theme

PairingSampleRatioWCAG
Body text on pageAa15.14:1AAA
Body text on cardsAa17.19:1AAA
Secondary textAa5.76:1AA
LinksAa7.94:1AAA
Button textAa9.38:1AAA
Accent label textAa6.79:1AA
Text on dark bandsAa15.14:1AAA
Muted text on dark bandsAa7.89:1AAA
Text on brand bandsAa9.38:1AAA
Muted text on brand bandsAa5.97:1AA

Dark theme

PairingSampleRatioWCAG
Body text on pageAa16.58:1AAA
Body text on cardsAa15.16:1AAA
Secondary textAa7.2:1AAA
LinksAa8.17:1AAA
Button textAa8.14:1AAA
Accent label textAa9.02:1AAA
Text on dark bandsAa17.32:1AAA
Muted text on dark bandsAa8.56:1AAA
Text on brand bandsAa8.14:1AAA
Muted text on brand bandsAa5.1:1AA

Designed by Greater Purpose Web. Names, people and events are sample content.