
Bunk room
$189
Six women, three bunks, one big bathroom and a lot of late-night laughing.
- Five meals
- All sessions
- Linens provided
1520 E 15th St, Tulsa, OK 74120
(555) 019-4426
hello@example.org

Spring retreat · April 9–11, 2027
Cedar Bluff Lodge on Lake Tenkiller, ninety minutes from Tulsa. Beds open January 12.
The weekend
Every session is optional. Some women sleep through Saturday afternoon and call it the best part.
FridayToday
Lodge porch
Dining hall
Great room
SaturdayToday
Dining hall
Great room
Lake trail, dock, bed
Dining hall
Great room
SundayToday
Dining hall
Great room
Lakeside
Rooms
Every price includes five meals, all sessions and the Saturday boat. Scholarships cover up to the full cost; ask on the form.

$189
Six women, three bunks, one big bathroom and a lot of late-night laughing.
Fills first$245
Two queen beds and a private bath. Bring a friend or we'll pair you.

$340
For anyone who needs the quiet. Eight available.
A $50 deposit holds a bed and is refundable until March 1.
Retreat questions
Shirlene leads the Saturday sessions on Hannah's song. Friday night is testimonies from three women in the circle.
Yes, $65 including lunch and supper. You'll miss the late-night pie, though.
The great room, dining hall and four ground-floor rooms are step-free. Tell Shelby what you need and she'll arrange the room.
We carpool from the house on 15th Street at 2 PM on Friday. If you'd like a seat or have one to offer, say so on the form.
Design notes
Hannah's Circle meets in a 1928 bungalow, and the site should feel like that house: a front room with books on every surface, unhurried, a little old-fashioned. We kept away from the usual women's-ministry kit of script fonts and pastel florals, and took the palette from Tulsa itself: the redbud along Cherry Street and the brass on the Deco buildings downtown.
Bona Nova was drawn from a 1926 Polish book face, so it carries the gravity of scripture without the stiffness of a wedding invitation. Its italic is used for scripture and for the line where the ministry speaks softly. Jost, a geometric sans with 1920s bones, nods to the Art Deco buildings downtown and keeps practical details crisp.
The magenta is the Oklahoma redbud, the state tree, which flowers along Cherry Street every spring just before the retreat. The brass accent comes from the Deco ironwork on Boston Avenue. The background is a barely-blushed paper, and the dark theme is the same house in the evening: plum-brown walls, lamp light, the redbud lifted to a softer pink.
A left sidebar keeps every page, the address and the main action in view on a laptop, which suits women who arrive with one specific question (when is the Thursday circle? who leads The Waiting Room?) and want the answer in one click. On a phone it collapses to a simple menu.
A tall photograph of an older woman mid-conversation at a study table sits on the right, and three large numbered steps sit on the left: come on Tuesday, find a smaller circle, ask for a mentor. Women told us the hardest part is knowing where to start, so the first screen answers exactly that.
Find your circle is the one action every visitor can take, whatever her season, so it lives in the sidebar. The rest name a specific room and time: Join the Tuesday study, Come to The Waiting Room, Ask for a mentor. None of them asks anyone to register for an event before she has met a person.
Women of different ages, ethnicities and seasons, around tables, sofas and Bibles. For The Waiting Room page we deliberately avoided babies and pregnancy photographs; the women who read that page do not need to be ambushed by them.
Body text is 17 pixels Jost with a generous line height, and every pairing in both themes passes WCAG AA. The Waiting Room's prayer form explains, before anything is typed, who will read it and what will happen. Crisis numbers are written in full, not hidden behind a link.
Every text pairing is checked against WCAG 2.2 in both themes.
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 14.47:1 | AAA |
| Body text on cards | Aa | 16.38:1 | AAA |
| Secondary text | Aa | 5.71:1 | AA |
| Links | Aa | 7.11:1 | AAA |
| Button text | Aa | 8.05:1 | AAA |
| Accent label text | Aa | 5.03:1 | AA |
| Text on dark bands | Aa | 14.47:1 | AAA |
| Muted text on dark bands | Aa | 7.69:1 | AAA |
| Text on brand bands | Aa | 8.05:1 | AAA |
| Muted text on brand bands | Aa | 5.24:1 | AA |
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 15.33:1 | AAA |
| Body text on cards | Aa | 13.87:1 | AAA |
| Secondary text | Aa | 6.8:1 | AA |
| Links | Aa | 8.48:1 | AAA |
| Button text | Aa | 8.74:1 | AAA |
| Accent label text | Aa | 10.14:1 | AAA |
| Text on dark bands | Aa | 16.3:1 | AAA |
| Muted text on dark bands | Aa | 8.21:1 | AAA |
| Text on brand bands | Aa | 8.74:1 | AAA |
| Muted text on brand bands | Aa | 5.4:1 | AA |
Designed by Greater Purpose Web. Names, people and events are sample content.