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Rivertown
Hours & admission
Rivertown
HomeVisitExhibitionsThe '37 floodField tripsResearch roomMembership

118 Water Street, Paducah, KY 42001

(555) 018-1937

frontdesk@example.org

Hours & admission
Brick storefronts on a small-town main street at dusk

Plate 1

Place
Second Street, downtown Paducah
Date
October 2026
Photo
Wes Bledsoe, volunteer

Second Street at dusk, two blocks from the river

In 1937 the Ohio stood on this street for three weeks. This is the museum of what came after.

Five galleries in an 1884 tobacco warehouse on Water Street: the flood, the river trade, the Atomic City years, the Southside's own recorded voices, and a changing exhibition upstairs.

Hours & admission What's on view

On view

Five galleries, about ninety minutes

Start downstairs with the flood. Most people end in the listening room and stay longer than they meant to.

All exhibitions
Main street of a small American town in warm light

Gallery 1 · permanent

High Water: 1937

Rowboats on Broadway, the Red Cross camps on the hill, and the line on the warehouse wall showing where the water stopped.

Read the flood story
Riverside historic buildings and church tower at sunrise in Inverness

Gallery 2 · permanent

Where Two Rivers Meet

Packet boats, towboats and the pilots who learned every bend from Cairo to Louisville.

Inside the gallery
Group crafting around a table in a workshop

Upstairs · through January 31

Pieced in Paducah

Thirty-one kitchen-table quilts lent by local families, most never shown in public before.

About the quilts
Colorful riverside houses reflected in the water in Castres, France

From the oral history collection

Mama put the Bible and the photographs in a flour sack and we rowed out the upstairs window. When we came home the mud was up to the light switches.
Ernestine F.Age seven in 1937, recorded in 2008

Paducah in seven dates

A short walk through the long story

Each of these has a case downstairs, in this order.

  1. 1827

    A town laid out at the mouth of the Tennessee

    Surveyors plat streets on the bluff where the Tennessee meets the Ohio.

  2. 1884

    The Elkins warehouse goes up

    Built for dark-fired tobacco, the brick building on Water Street that now houses the museum.

  3. 1937

    The flood

    The Ohio rises past sixty feet. Nearly the whole town is evacuated for weeks.

  4. 1949

    The wall

    The floodwall is finished along the riverfront, with gates that close across the streets.

  5. 1952

    Atomic City

    The uranium plant west of town opens and the population jumps by thousands in two years.

  6. 1979

    The museum opens

    Volunteers open two rooms of the warehouse with objects collected door to door.

  7. 2008

    The listening room

    Volunteers record 212 oral histories with Southside residents. The archive is still growing.

Talks and walks

This autumn

Oct17

Floodwall walk

11:00 AM · Meet at the museum door

An hour along the wall with a docent. Flat, about a mile.

Add to calendar

Oct22

The river pilots' logbooks

6:30 PM · Upstairs gallery

Curator Nadine Shemwell reads from three logbooks donated this summer.

Add to calendar

Nov7

Bring your family's quilt

10:00 AM · Workroom

Our textile volunteers photograph and date family quilts. Free, no appointment.

Add to calendar

Nov14

Atomic City memories

2:00 PM · Listening room

Former plant workers and their children share stories. Recorded for the archive.

Add to calendar

Nothing in that category this month.

Open Wednesday to Sunday

$8 for adults, $5 for students and seniors, free for children under six. Free for McCracken County residents on the first Sunday of every month.

Hours & admission Book a class visit

A museum of Paducah and the two rivers, run by a staff of five and a hundred and forty volunteers.

  • Home
  • Visit
  • Exhibitions
  • The '37 flood
  • Field trips
  • Research room
  • Membership
  • 118 Water Street, Paducah, KY 42001
  • (555) 018-1937
  • frontdesk@example.org
  • Wed–Sat 10 AM – 5 PM
  • Sun 1 – 5 PM
  • Closed Mon & Tue

Rivertown

© 2026 Rivertown History MuseumWebsite by Greater Purpose Web

Design notes

Why Rivertown looks the way it does

Rivertown is a small museum with a big subject, and the site is designed like its own exhibition labels: one strong photograph, a precise caption, and the facts a visitor needs set in a ruled strip. It should feel like a well-kept archive, not an attraction.

Built for
Paducah residents, school groups from western Kentucky, family historians, and travelers stopping between the interstate and the river
Navigation
Full-screen menu. Only a Menu button shows; it opens a full-screen index with large type. Keeps the first screen uncluttered.
Pages
Home, Visit, Exhibitions, The '37 flood, Field trips, Research room, Membership
Hero
a short action form as the hero: the one thing most visitors came to do (request a ride, ask for help, register a child) can be done before they scroll, with reassurance beside it. Variants: a = headline, reassurance and a photo on the left with the form as a raised card on the right; b = a tall photo carrying the headline, with the form and reassurance on a plain panel beside it; c = headline beside a photo, then the form laid out as one horizontal booking bar; A full-bleed photograph left completely free of words, with the headline set underneath it like a museum caption and a small column of place, date and photo credit. Variants: a = catalogue entry (plate number, headline, details column); b = the details run as a ruled strip above one wide headline; c = the photo bleeds off the left edge and the details hang in the right-hand margin beside it

Typography

Old Standard TT is a revival of the Modern serifs used in American books and newspapers in the 1870s and 80s, which is exactly when the warehouse was built. Libre Franklin, a Franklin Gothic revival, handles body text the way that face once handled railway and river-packet timetables. Courier Prime sets dates and catalog numbers like a typed accession card.

Color

The red is the oxide paint on old packet boats and the brick of Water Street; the blue-green is the Ohio on a clear day. The background is a cool gray taken from river fog rather than the beige of most history sites, and a fine grain sits over everything like the tooth of archival paper. Every pairing passes WCAG AA in both themes.

Layout and navigation

A single Menu button opens a full-screen index of the seven pages in large type. Museum visitors usually come for one thing, today's hours or the flood, and the uncluttered first screen lets the photograph and its caption do the introducing.

The hero

The photograph runs edge to edge with no words on it, and the headline sits underneath like a gallery caption, with place, date and photographer in a ruled strip above. It is how the museum labels its own objects, so the first screen behaves like the building.

Calls to action

The main action is Hours & admission, because nearly every visitor arrives asking whether we are open. The others name specific outcomes: Book a class visit, Request a research hour, Become a member. The brackets around each button echo the square brackets archivists use for supplied information.

Photography

Paducah streets, the river, the research room and the people who remember. We deliberately avoided generic grand museum halls: this is a two-storey warehouse with oak floors, and the photography should never promise marble.

Accessibility

Generous body size, full-contrast captions, and an honest access section: the elevator, the hearing loop in the listening room, the bench in every gallery. The live open-or-closed status is written out in words as well as shown.

Type system

  • DisplayOld Standard TTOld Standard revives the Modern serifs of late-1800s American books and newspapers, the type the Paducah Sun was set in when the warehouse was built.
  • TextLibre FranklinA revival of Franklin Gothic, the American sans of railway timetables and river-packet notices, plain enough for long gallery text.
  • AccentCourier PrimeTypewriter labels, like the accession cards in the museum's own 1960s card catalog.

Colour and contrast

Every text pairing is checked against WCAG 2.2 in both themes.

Light theme

PairingSampleRatioWCAG
Body text on pageAa13.6:1AAA
Body text on cardsAa15.19:1AAA
Secondary textAa5.91:1AA
LinksAa7.71:1AAA
Button textAa9.5:1AAA
Accent label textAa6.7:1AA
Text on dark bandsAa13.6:1AAA
Muted text on dark bandsAa7.25:1AAA
Text on brand bandsAa9.5:1AAA
Muted text on brand bandsAa6.06:1AA

Dark theme

PairingSampleRatioWCAG
Body text on pageAa14.71:1AAA
Body text on cardsAa13.24:1AAA
Secondary textAa6.62:1AA
LinksAa8.06:1AAA
Button textAa8.46:1AAA
Accent label textAa9.15:1AAA
Text on dark bandsAa15.81:1AAA
Muted text on dark bandsAa8.03:1AAA
Text on brand bandsAa8.46:1AAA
Muted text on brand bandsAa5.25:1AA

Designed by Greater Purpose Web. Names, people and events are sample content.