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The Long Obedience
ListenEpisodesRead alongLive tapingsListening groupsThe hostsKeep it free
Get this week's reading

3127 E Lake St, Lower Level, Minneapolis, MN 55406

The Long Obedience
The Long Obedience
ListenEpisodesRead alongLive tapingsListening groupsThe hostsKeep it free

3127 E Lake St, Lower Level, Minneapolis, MN 55406

(555) 014-5120

listen@example.org

Get this week's reading

The hosts

Two voices and a table


A retired Old Testament professor and a hospital chaplain, recording under a bakery on East Lake Street since 2021.

We answer listener email ourselves, usually on Mondays.

How it started

A phone on the table

The first episode was never meant to be an episode. It was a Tuesday class, recorded for one man who couldn't come any more.

Solveig Halvorsen · Co-host

September 20265 min read

In the spring of 2016 I was teaching Genesis to eleven people in a church basement on East Lake Street. One of them, Harold, had come every Tuesday for six years. That March he went into hospice, and his daughter asked whether we could record the class so he could still hear it.

So someone put a phone on the table between the coffee cups. You can hear the cups on the first thirty episodes. You can also hear Harold's friend Arvid, who coughed through all of Genesis 12.

Nine hundred strangers

Harold's daughter sent the recordings to a few cousins. The cousins sent them on. By the time we reached the death of Joseph there were nine hundred people listening, and almost none of them had ever been to the basement.

We never decided to start a podcast. We just never stopped recording.
Solveig Halvorsen

Chiamaka wrote in three years later with a question about Leviticus that I couldn't answer. I asked her to come and answer it on the recording. She has not left.

We still read one passage a week. We still say when we don't know. And Harold's recording still plays at the start of every live taping.

Who's at the microphone

The people behind the show

Four of us, part-time, plus a crew of volunteer transcribers.

Solveig Halvorsen

Solveig Halvorsen

Co-host

solveig@example.org

Chiamaka Okonkwo

Chiamaka Okonkwo

Co-host

chiamaka@example.org

Kou Vang

Kou Vang

Producer and editor

studio@example.org

Rev. Leif Bergquist

Rev. Leif Bergquist

Theological advisor, Q&A guest

questions@example.org

Where we stand

What we believe, briefly

Listeners come from Lutheran, Catholic, Baptist, Pentecostal, Orthodox and no tradition. These are the things we hold to on air.

IScripture

The Bible is God's word and worth reading slowly. We take it as it is, including the parts we wish were different.

2 Timothy 3:16

IIGod

One God, Father, Son and Holy Spirit, as the historic creeds confess.

The Apostles' Creed

IIIJesus

Jesus Christ died and rose again, and every passage we read is read in that light.

Luke 24:27

IVThe church

A podcast is no substitute for a congregation. We'll keep telling you to find one.

Hebrews 10:24–25

VNot knowing

Some questions don't have tidy answers. We will say so rather than invent one.

Deuteronomy 29:29

The Long Obedience
  • Listen
  • Episodes
  • Read along
  • Live tapings
  • Listening groups
  • The hosts
  • Keep it free

A listener-supported Bible teaching podcast. Recorded under a bakery on East Lake Street. 3127 E Lake St, Lower Level, Minneapolis, MN 55406 · (555) 014-5120

© 2026 The Long ObedienceWebsite by Greater Purpose Web

Design notes

Why The Long Obedience looks the way it does

The Long Obedience is a weekly podcast that reads one passage of the Bible slowly and carefully, with no ads and no hurry. The site works like a quiet study desk: this week's episode first, then the reading plan, then everything else, so a listener can find their place in under a minute.

Built for
Commuters, night-shift workers, farmers and parents who listen alone and want to read along; small listening groups; and supporters who keep the show free.
Navigation
Left sidebar. A fixed column holds the name, every page and the address, so nothing is ever more than one click away on desktop.
Pages
Listen, Episodes, Read along, Live tapings, Listening groups, The hosts, Keep it free
Hero
livestream-first: the opening screen is the stream itself, with a live or next-stream badge and countdown, a play control, the service chapters and a route to past services, for churches whose online congregation is as real as the room. Variants: a = headline above a large screen with the chapter list in a side panel; b = a full-width cinematic screen with the headline over it and chapters running beneath as a strip; c = headline and a chapter timeline in a left column beside the screen; One impact number is the hero (for example meals served this year), with a line naming the unit, a sentence of context, a row of three supporting figures and one photograph. The number counts up once when it first comes into view. Variants: a = the number spans the full width above the photo and figures; b = photo on the left, number and a ledger of figures on the right; c = the number sits on a coloured panel that overlaps the bottom of a wide photograph

Typography

Piazzolla was designed for small, dense text, which gives it sturdy serifs and an honest, bookish texture even at display size. Set at 600 with a light italic for emphasis, it reads like a heading in a good study Bible. Hanken Grotesk keeps the long show notes calm, and IBM Plex Mono sets every timestamp and reference the way an audio editor sees them.

Color

The oxblood comes from old hymnal covers and the red ON AIR bulb above the studio door. The amber is the warm light of the bakery upstairs at 5 AM when the episode goes out. The neutrals lean slightly green, like birch bark in a Minnesota March. Dark mode is tuned for listeners reading in bed, with a lifted rose instead of the deep red.

Layout and navigation

A fixed sidebar keeps the seven sections in view like the contents page of a book, which suits people who come back every week and go straight to the same place. The content column is narrow and generous, closer to a page than a dashboard.

The hero

The hero is the episode itself: this week's passage, the hosts, a play control and the chapter timeline down the left so a listener can jump to the part they missed in the car. On the first Tuesday of the month it shows the live taping countdown instead.

Calls to action

The sidebar action is Get this week's reading, because reading along is what turns listeners into regulars. Other buttons are equally plain: Find a listening group, Sit in on a taping, Keep it free. The underline button style keeps them quiet next to the text.

Photography

Hands on open Bibles, a microphone in warm light, kitchen tables. The photographs stay close and quiet, like the show, and avoid stage lights. The one wide image is a straight two-lane road across the prairie at dawn, set behind the Nietzsche line the show is named for: a long way, in the same direction.

Accessibility

Every episode has a full transcript linked from the player, chapter times are real text, and the player works by keyboard. Body text is 18px with a long line height for comfortable reading, and both themes meet WCAG AA.

Type system

  • DisplayPiazzollaPiazzolla was drawn for dense, small-print reading, so it carries the feel of a well-used study Bible even when set large.
  • TextHanken GroteskA plain, warm sans that stays out of the way of long show notes and transcripts.
  • AccentIBM Plex MonoTimestamps, episode numbers and references, set the way an audio editor sees them.

Colour and contrast

Every text pairing is checked against WCAG 2.2 in both themes.

Light theme

PairingSampleRatioWCAG
Body text on pageAa14.26:1AAA
Body text on cardsAa15.62:1AAA
Secondary textAa5.7:1AA
LinksAa8.29:1AAA
Button textAa9.67:1AAA
Accent label textAa7.28:1AAA
Text on dark bandsAa14.26:1AAA
Muted text on dark bandsAa7.6:1AAA
Text on brand bandsAa9.67:1AAA
Muted text on brand bandsAa6.17:1AA

Dark theme

PairingSampleRatioWCAG
Body text on pageAa15.23:1AAA
Body text on cardsAa13.67:1AAA
Secondary textAa6.74:1AA
LinksAa8.35:1AAA
Button textAa8.54:1AAA
Accent label textAa10.13:1AAA
Text on dark bandsAa16.15:1AAA
Muted text on dark bandsAa8.13:1AAA
Text on brand bandsAa8.54:1AAA
Muted text on brand bandsAa5.29:1AA

Designed by Greater Purpose Web. Names, people and events are sample content.