Length
One or two pages. Long first letters can feel like pressure to write a long reply.
Write a letter
Say who you are, what your week was like, and one thing you would like to know about them. That's it. The second letter is always easier.
Every letter goes through our P.O. box. Your surname, address and phone number never leave this office.
Before you write
Our writers have learned most of this the hard way. You don't have to.
Length
One or two pages. Long first letters can feel like pressure to write a long reply.
Your name
First name only, signed in ink. We add your writer number so replies find you.
Faith
Talk about it the way you would to a neighbor. Share what you are reading, not what they should.
Money
Never send money or put money on a phone account. If you're asked, tell us and we will handle it kindly.
Promises
Don't promise a visit, a job or a couch when they get out. Promise the next letter, and keep that one.
Photos
Up to three 4x6 prints of places, pets or your garden. No people, and nothing Polaroid.
Their case
Don't ask what they did. Many will tell you in time. Some never do, and that is fine.
Slow weeks
Missed a couple of weeks? Say so in the next letter. Inside, silence reads as being dropped.
From your desk to a reply
Or drop it in the red tray at a writing night.
Logged, checked and re-enveloped on Monday or Thursday.
Some prisons hand out a scanned copy and keep the original.
Usually. Lockdowns and transfers can add weeks, so don't worry if it takes a month.
Ask to be matched
Marjorie or Lyle will call you within a week to talk it through, then send your first pen pal's name and number by mail.
A real person will reply within a day.
Guides to print
Print them at home, or ask and we will mail you a paper copy.
Fourteen pages on first letters, boundaries, faith and what to do when a pen pal goes quiet.
Guides2026 edition14 pages
Real first letters from our writers, shared with permission and names changed.
GuidesSep 20265 pages
Paper, ink, photos and books, by prison. Updated whenever a rule changes.
RulesOct 20262 pages
No glitter, no musical cards, no padded envelopes. Cut-off dates for each prison.
RulesNov 20261 page
Sign this if you would like replies scanned and emailed instead of mailed.
Forms20261 page
Nothing matches that. Call the mail room and we'll find it.
Questions
No. Letters go out with our P.O. box as the return address, and we cut or black out anything on your letter that could identify your home or workplace.
No. We are a Christian ministry and many of our writers pray for their pen pals, but we match anyone who will keep our rules and write with kindness.
We ask for one letter a month for a year. If life gets in the way, tell us. We will write a short note to your pen pal so they are not left wondering.
Not directly. Ohio prisons only accept books shipped new from approved sellers. Tell us the title and our book fund will order it.
Some writers stay in touch after release, and some meet for coffee. That decision is yours. Lonnie, our reentry lead, will help you think it through.
Design notes
Ninety Letters is a small Columbus ministry that pairs volunteers with men and women in Ohio prisons and forwards every letter through one P.O. box. The site is built like correspondence: a letter opens it, the type comes from a typewriter, and the colors come from an airmail envelope.
Courier Prime carries every headline because the typewriter is still the voice of prison paperwork: request slips, chaplain's memos, the notice that comes back when a letter is rejected. Literata, a book serif drawn for long reading on screens, sets the body at 18px so the longer explanations feel like a letter rather than a form. Homemade Apple appears in exactly one place, Marjorie's signature, because a handwritten name is the point of the whole ministry.
The palette is an airmail envelope: ballpoint blue for links and actions, the red of the striped border for small accents, and a cool onionskin gray for the page. We kept the paper cool on purpose so it never drifts into the cream-and-brown of a heritage brand. At night the page becomes a desk under a lamp, deep navy with the blue lifted so links stay above 4.5:1.
The contents column on the right lists every section of the page you are on, the way a writer's guide would. People who come here are usually deciding something careful (am I allowed to send photos, will they know my address) and the column lets them jump to the answer without hunting. The writing-night action stays in that column on every page.
The home page opens with a letter from Marjorie Telfair, the director, because that is how the ministry itself started: one page about tomato plants sent to a stranger in 2009. A letter from a real person says more about what we ask of volunteers than any headline could, and it sets the tone for writing plainly.
The main action is "Write your first letter", because the hardest step is the first page. Secondary actions are equally concrete: come to a writing night, read the mail-room rules, pay for a book of stamps. We avoided the word donate on the giving page and talk about stamps, envelopes and paper, which is what the money actually buys.
There are very few photographs, and none of incarcerated people. We do not show faces from inside without consent, so the images are hands, paper, Bibles passed across a table and the fence line, used sparingly. Portraits are of volunteers and staff who agreed to be pictured.
Body text is 18px with generous line spacing for the many older volunteers who write with us. The typewriter face is used only for headings and never for long paragraphs. Every form field has a visible label, the contents list is a real ordered list, and colors pass contrast in both light and dark themes.
Every text pairing is checked against WCAG 2.2 in both themes.
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 14.06:1 | AAA |
| Body text on cards | Aa | 15.53:1 | AAA |
| Secondary text | Aa | 5.61:1 | AA |
| Links | Aa | 8.42:1 | AAA |
| Button text | Aa | 9.65:1 | AAA |
| Accent label text | Aa | 5.43:1 | AA |
| Text on dark bands | Aa | 14.06:1 | AAA |
| Muted text on dark bands | Aa | 7.55:1 | AAA |
| Text on brand bands | Aa | 9.65:1 | AAA |
| Muted text on brand bands | Aa | 6.19:1 | AA |
| Pairing | Sample | Ratio | WCAG |
|---|---|---|---|
| Body text on page | Aa | 14.76:1 | AAA |
| Body text on cards | Aa | 13.31:1 | AAA |
| Secondary text | Aa | 6.59:1 | AA |
| Links | Aa | 8.91:1 | AAA |
| Button text | Aa | 9.28:1 | AAA |
| Accent label text | Aa | 7.42:1 | AAA |
| Text on dark bands | Aa | 15.74:1 | AAA |
| Muted text on dark bands | Aa | 8.01:1 | AAA |
| Text on brand bands | Aa | 9.28:1 | AAA |
| Muted text on brand bands | Aa | 5.59:1 | AA |
Designed by Greater Purpose Web. Names, people and events are sample content.